The Carl Rosa Opera season of Gilbert & Sullivan ends with another firecracker casting coup. Dour comic Jo Brand plays the sergeant of Police, and her deliberately hapless ‘what? Who me?’ performance adds a hilarious dollop of extra topsy-turviness to a show already spinning with it (and she sings at baritone pitch, I might add). Barry Clark enunciates the Major General’s famous patter-song beautifully.

Peter Mulloy’s fast-paced traditional production is stuffed with quick-fire gags, and Richard Balcombe’s conducting is pitched at exactly the right serio-comic level. A real G&S treat.

The usually dour comedienne Jo Brand brings an anarchic sense of mischief to the role [of Sergeant of Police]. Her Sergeant is a motherly Victorian lady police officer, who keeps a rolling pin and jars of jam in her shapeless floral shoulder bag. Supported by a crack ensemble with excellent comic timing and good voices, Mulloy's pacy production hits every nail on the head. If you've never seen a G&S show and wonder what all the fuss is about, this is the one to pick.

Peter Mulloy’s production for the Carl Rosa Opera Company finds all the unsinkable fun in this classic caper about aristocratic buccaneers, the dithering daughters of a dotty Major General and a blundering bunch of Victorian flatfoots.

The routines are slickly spot-on… Steven Page is a gleefully blood cuddling Pirate King, Barry Clark attacks the tongue-twisting patter of the Major General with the precision of a seasoned Savoyard and the lovers, Frederic and Mabel, are ringingly sung by David Curry and Deborah Myers.

Jo Brand's Sergeant of Police visually rings the bells in this visually delicious production of Gilbert and Sullivan's pirate nonsense. The director-designer Peter Mulloy's production, completing the Gielgud's Carl Rosa Opera season, dances with dynamic groupings - no standing around in clumps here - and the most fastidious, colourful period costumes possible on a modest budget.

The music, zestfully conducted by Richard Balcombe and expertly played, is Sullivan's best… what really counted, however, was the superior cast. The boyish hero Frederic was sung with lyrical accuracy by David Curry, Gilbert and Sullivan stalwart Steven Page provided a snarling Pirate King, with baritone Michael Kerry outstanding as Samuel. Barry Clark's stiff-gaited Major-General Stanley had all the comic energy and verbal pace desired.

The women, led by Deborah Myers's bright-voiced Mabel, were boisterous and funny, especially in their nimbly choreographed choruses. This was Carl Rosa back on form, encouraged by a keen audience, which responded to every tiny gesture with some of the noisiest belly laughs ever heard.

This restored, authentic production rattles along with tremendous flourish and bravura, yet it successfully balances this with scenes of genuine atmosphere and period charm.

The reborn Carl Rosa remains a company with a mission. Wagner and Berlioz may have dropped from view along with all the other music that used to be valiantly toured around Britain, but a good production of Gilbert and Sullivan is not to be despised

The Aberdeen audience for Gilbert and Sullivan’s Pirates of Penzance were rewarded with a superb fun-packed production by the Carl Rosa Opera Company at His Majesty’s Theatre last night. In true G&S style there was comedy in every one liner. The cast and orchestra were top class.

The piratical singers of the Carl Rosa Opera company swarmed the rigging of the King’s Theatre last night, and set the stage ablaze with a version of Gilbert and Sullivan’s operetta which was both original and entertaining... the big numbers were more than well done. In particular the Major General’s song and the Policeman’s song.

The Pirates of Penzance is a comedy on two levels. On the first, Gilbert’s story and words laugh at the niceties of the Army in particular and Victorian society in general – not for nothing is this subtitled The Slaves of Duty.

Complete with the most magnificent millinery and parasols, the female chorus were a delight. When Simon Butteriss appeared on the scene as the Major General himself, his rendition of the tongue-twisting Major General’s song held the audience entranced.